It was a warm night with a lazy sunset over the sea as I was waiting for the painting group on the viewing terrace at Palermo airport. Sicily was in full spring mood already and the colours of wild flowers mingled with the oranges and yellows of citrus fruits. Next day at the Fattoria Mose, the mist from the night before had cleared and given way to brilliant sunshine and a marvellously blue sky, a great beginning to our Sicilian adventure.
After a leisurely breakfast involving a variety of home made jams and marmalades everybody was ready and eager to face the first painting day. We enjoyed an exploratory stroll around the various gardens, buildings, olive and orange groves and settled happily onto our new surroundings. There was no shortage of subjects to choose from: Archways, ancient olive trees (some 500-700 years old!) old pottery, wild flowers, landscapes prickly pears and Acacia trees heavy with yellow blossoms.
For my first demonstration of the week I focused on a nearside object, the huge, old olive vessels grouped around the trunk of a magnificent Palm tree. A perfect motive to get started. We got more adventures the following day and set off to the nearby Lido, a long stretch of beach below the historic town of Agrigento. The sea-shore, sparkling ever brighter as the day progressed, was only rivalled by the blue striped blinds in the building that made our foreground motif. The setting had the mood of an Edward Hopper painting: the modern house fronted by two palm trees with endless blue sea beyond. The local bars and Gelaterias were very welcome for a snack and refreshing drink, or a delicious Sicilian ice-cream.
Tuesday, our third day, was wonderfully sunny again, and we spent another day painting at the Fattoria Mose. This time I chose for my morning demonstration the half open terrace gate with views through to the farmyard and distant landscape. Framed by ochre coloured walls and flower pots, this is also the gateway frequently used by the numerous puppy dogs and cats - painting subjects in themselves, though somewhat unreliable. After the day's work it's lovely to relax on one of the terraces or gardens with a cup of tea or an early glass of wine. A just reward, as one watches the sun slowly disappear behind the hills. Soon to be followed by another delicious home-cooked meal. The food at the Fattoria is rather special; home-grown produce when in season and following traditional recipes of the Agnello family who have lived for several generations at the Fattoria Mose. Chiara Agnello and her sister Simonetta Hornby even featured recently in their own Sicilian television series (not Montalbano!) dedicated to their uniquely local way of cooking.
Midweek, painting took a bit of a back seat, when most of us went on an exciting tour to see the world famous mosaics at the Piazza a Marina, a complex of Roman Villas. The mosaics are highly detailed, and well-preserved. One wall even depicts a group of young women in bikinis exercising in the gym – an astonishingly modern scene. Thus inspired we followed the historic motif, and went to paint another famous sight. The ancient golden Greek temples in the beautiful Vallee di Templi. At the foot of the stone steps leading to he temple of Juno we found shade under pine and olive trees. The tricky bits were not as one would imagine, the magnificent temple columns, but some of the trees and cacti adoring the scene. Plant-life seems to be one of the greatest challenges in outdoor painting. It was however a good opportunity to talk about ways of how to tackle 'greens' the easy way.
We had a chance to practice mixing greens on our last day at the Fattoria, with time to spare for unfinished paintings. There was excitement in the air as we were getting ready for the last night's showing of the best of the week's paintings. It was a delight to see everybody's work, exchange experiences, and marvel at the diversity of the styles and subjects. We celebrated the end of the course with home grown artichokes, wine and song, until it was time to throw a few things into the suitcase for our departure the next day.
The Sicilian sun, Chiara's warm hospitality, and the many subjects to paint combined with the enthusiasm and friendship of our group made this a very enjoyable painting week indeed, and I cannot wait to go back in 2016.
"Such A great group in Sicily, loved the week."
"The best painting holiday I had for a long time. Learned so much from you and loved being with the other painters."
"I wanted the holiday to go on forever... thanks so much for your inspired teaching."
"The Fattoria Mose is a wonderful location."
Morocco was everything that it promised, with blue skies, brilliant sunshine and dazzling views. Our old friend and host Ali Mouni greeted us upon arrival at the Hotel La Vallee in Ouarzazate. Early the next day, we embarked for the desert, enjoying many scenic delights along the way. Heavy rains in February had given us an unusually spectacular array of desert flowers, more than I have ever previously seen. A delicious lunch in the sleepy town of Tinjedad fortified us for the remainder of our journey. A couple of hours later, after a cup of Moroccan tea, we settled into our charming rooms at Ali's Nomad Palace, a family owned and run hotel at the edge of the dunes.
Before we started painting, I showed everybody around the delightful shade dappled courtyard, the new roof terrace, and the elegant arches that lead to the swimming pool. Amongst all the visual treats, everyone found a suitable subject, and I started my first demonstration, utilizing a handy pillar and a Moroccan clay pot. More advanced painters took on the challenge of more complex views through the grand gateway to the desert dunes. Satisfied (hopefully) by the day's efforts, the evening was filled with happy banter, exchanging experiences of the day over a glass of wine, before indulging in the plentiful quantities of delicious food coming from the kitchens.
Day two found us at the Merzouga Palmerie, an area on the edge of the nearby village where vegetables and crops are tended under the shade of date palms. One can add to the scene with the image of traditionally dressed locals about their business, giving our paintings a splash of colour from a different palette.
The following morning we received quite a surprise to find that a huge lake had recently appeared for the first time in six years, right in front of my usual view of the Great Dunes! The reflections of the desert buildings in the still water of the lake were stunning. We painted in the clear light, soothed by the mellifluous tones of my husband James, singing and playing guitar quietly in the background, and incidentally providing an extra life-model! Later in the afternoon we left our hilltop, and drove around the rest of the vast expanse of sand known as the Erg Chebbi, pausing along the way for a glass of tea with some Nomad friends of Ali's.
On the non-tuition day, some students chose to remain at the Nomad Palace and paint, while most of the group came with me on a tour which included a visit to a fascinating fossil museum, and a shopping trip at the local Nomad Depot, where we haggled over carpets jewellery and crockery. We ended the day at another seasonal lake, far larger than usual this year, where a wide variety of desert birds could be spotted by the keen watcher, including distantly seen flamingos!
Camels are notoriously difficult to paint, so we kept ours for the whole day as we attempted to catch their superior expressions, liquid eyes, and gangling limbs. Their attendants, dressed in traditional Berber garb, also made excellent subjects, and were preferred by some to the noble dromedaries! The reward, for those of the group who wanted it, was to ride our sweet tempered four legged models into the dunes, from the top of which we watched a beautiful desert sunset.
Before we knew it, the last desert day had dawned. Another scorcher, where shade at our location, a deserted village near the Nomad Palace, was provided by Ali's men erecting an open sided Berber tent. Our picnic lunch was consumed in an artistically converted ruin overlooking the scene. We celebrated the end of our wonderful week in the desert with the appearance before dinner of Groupe Zaid, local musicians with an international reputation.
Departure from the desert was sweetened by our arrival at the outstandingly beautiful Dades Gorge the next day, where we got down to work straightaway, eager to capture the curves of the mountains and colours of the lush green valley below, viewed from the Panorama Hotel terrace. Lunch and dinner were lovingly prepared by our hosts and fellow painters Mustafa and Ibrahim.
All of which meant that we had reached the last day, and a short journey back to Ouarzazate, where many of this group showed their mettle by painting until the last rays of the sun were fading from the distant snow-peaked Atlas Mountains.
"Thank you, once again, for organising it all - it was, I think for everyone, a huge success."
"You were brilliant in every way and your sense of humour added cream on the cake."
"I would like to thank you for arranging such a wonderful holiday. It was really a unique experience and a great painting time."
"I do hope to join you again sometime.I have learnt a lot and made progress."
"Had a really enjoyable time in Morocco. You were most helpful and your organization was was excellent in every way."
"I enjoyed so tremendously going back to Morocco that I immediately want to do it all over again. I felt I had improved on my work from last time."
The return to Coombe Farm Studios in August signalled the end of my summer painting season. After the hot July, the August course felt indeed more like the beginning of autumn with sunny, but somewhat cooler temperatures, very unusual for this time of year. The mainly sunny weather meant we were enjoying painting outdoors around the various buildings, walled gardens and views of the old dovecote. The doves, perched on their little slate ledges in diverse poses – heads tucked in, wings wide spread or proudly raised beaks- were made to be painted.
Staying with the subjects of our feathery friends, we ventured out one day to the River Dart, where we found a flock of wild geese grazing on the glistening estuary. From our vantage point at Jilly Sutton's ( the sculptress mentioned in July news) amazing garden we could observe the geese with leisure, while painting the view across the water towards the distant hills.
Boats, not birds greeted us half way through the week at the edge of Dittisham with its harbour scenes and long jetty seemingly reaching out to the headland opposite. We hurried home after a lovely mornings painting and picknick lunch, as some rather dark looking clouds appeared suddenly. So we had an extra afternoon painting in the spacious studio at Coombe Farm. But we needn't have worried, it never rained.
The following day was also spent in the studio this time to paint flowers. It is always inspiring to capture the delicate colours of flowers, loosely arranged in various vases and rustic pots and surrounded with other still life objects for extra interest. This time the bright yellow sun flowers captured our imagination, but the little bunch of sweet peas made as good a painting as any bouquet of roses.
So came our last day with another fantastic display of our paintings in the evening and our last sumptuous meal lovingly prepared by the fabulous Lauren. Lauren is not only a great cook but she also is a wonderful yoga teacher and the class she gave earlier on was good fun. Despite feeling very sad to have to leave the next morning, we all enjoyed the last night. My husband James was able to join us with his guitar and I accompanied him on my Ukulele to the delight of everyone.
Thanks again to all of you for showing such dedication and for producing your very best,
Non stop Mediterranean sunshine for a whole week in Devon – what a treat! Lunches under dappled light in the Provençal-style courtyard at Coombe Farm made us all feel as if we were sitting in the South of France. The nearby garden just above the stream provided fresh veg. for our excellent cook Lauren, who produced outstanding meals throughout the whole week.
Viewed through the wooden gate, the flowers in full bloom and various colourful vegetables were irresistible to the paintbrush. The courtyard itself with its stone walled buildings, archways and lush trees also made a wonderful subject to paint on the first day.
The warm welcome from the now extended Riley and Lloyd family was another pleasure. To my surprise there was a delightful baby, Rosa, who had arrived only a couple of months earlier. Her sister Sasha, at 4 years of age already proves to be a great painter and eagerly drew a delightful poster for my bedroom door.
After exploring the area around Coombe Farm we were invited to paint at Jilly and Pedro Sutton's fantastic garden by the Dart Estuary. Jilly, a wonderful sculptor, was just getting ready for a show, and despite her schedule found the time to get things ready for us. Her comment after thanking her for her generosity: "always lovely to have straw hats and easels around the garden - beautiful !
The little harbour of Dittisham was our next port of call, and luckily the tide was out most of the day for us to paint by the beach. Dittisham is a charming village, not only featuring scenery and boats bobbing on the water, but also plenty of live models and a café with delicious ice creams and Devon teas. For non-painters it is also the spot from where to take a ride on the ferry to Dartmouth or just across the water to Agatha Christie's house and gardens.
Then it was high time for a painting trip to the seaside. BlackPool Sands is a secluded private beach near the coastal area of the Slapton Ley nature reserve. It has a big Pine tree for shade, dramatic cliffs and excellent facilities including a café and colourful beach huts. Needless to say it was a most enjoyable day painting the scenery and enjoying the fresh sea breeze.
The painting week was rounded off by another day at Coombe Farm and finished with a show of all our paintings produced during the course. With a glow of achievement and the happy feeling of newly formed friendships we settled down to the last of Lauren's delicious dinners afterwards. Luckily I will return to another course in August and hardly wait to return.
Wishing you all an enjoyable, creative summer,
Dear Painters and Friends,
What a joy it was to return to the Scottish Highlands in July. Big skies, mountains and whitewashed houses along Loch Kishorn greeted us on a sunny Saturday. The sun went a bit moody for a while, but then made an increasing presence, transforming the landscape once more. The views from Brynaport, our base in the small village of Achintraid, are absolutely stunning, so we painted the first day in and around the village. On location, the mornings began as usual with a brief discussion on how to choose a subject, always tricky on the first day and different for beginners and more advanced painters. To begin with we sketched the scenes outside, followed by work in the spacious studio, a well received change from working in the open air for those who were complete novices to painting 'pleine air'. My daily painting demonstrations - designed to help everybody with their composition, drawings and to get started - proved especially beneficial in the face of the great, yet unfamiliar outdoors.
The next day, the rust-red sheds by the waters edge were again a favourite. Views inland with gleaming white cottages silhouetted against the mountains and green meadows were a wonderful subject too. The buildings in the foreground made a handy device to gently introduce us to the dramatic mountainscape beyond. One painting excursion took us to Loch Carron. The large loch has a little inlet, which featured a small group of boats huddled together, ideal for first time 'boat painters'. Consequently everybody sketched the boats successfully and speedily and we were able to finish painting in the comfort of the studio. Our third excursion was to a remote lake, partly covered with waterlilies and surrounded by the majestic Torridon hills and a few buildings in the distance - a truly Scottish Highland scene. Sadly, the day we had planned to drive over the famous pass to Applecross had to be dropped since the upper regions of the pass were in cloud. But perhaps next year, when I return we will have better luck.
The last day arrived with a brilliant blue sky, creating sparkles on the water and lighting up the mountains in spectacular fashion, giving us a wonderful final view to paint. The painting week finished not without a fun evening of Highland dancing, local music and a very tasty, fresh seafood food dinner. Alison, our cook for the week did us proud, with delicious three course meals every night and a hearty Highland breakfast. However, before we sat down we gathered in the studio for a last night display of our work. It was impressive to see everybody's paintings, which included not only watercolours but also oils and acrylics.
It was hard to say Goodbye to the Pattinson family, who had invited us to share their home for the week and whose generous hospitality we all enjoyed. Of course I am in the lucky position to paint in Scotland in 2015 and do hope you can join me again at Brynaport or on one of my other painting locations abroad.
All the best for your painting in the summer,
We all agreed, the painting week in Portugal was great fun and very creative. On arrival at Faro airport we were greeted by sunshine, which put us straight into holiday mood and made everybody eager to get painting. So we set off the next day exploring the old town and harbour of Olhão, and settled down in the shade of an old church adorned with several storks nesting on the towers and roofs, a 'must' to paint.
The following day we took the local train to the charming fishing village of Fuseta. The little harbour was ablaze with the kaleidoscopic colours of fishing boats, flags,and buoys gaily bobbing on the water. More colours and scents captured our imagination on Saturday, market day in Olhão. The large market by the harbour, buzzing with people, huge sun umbrellas, goods and sea views supplied us with ample motifs. The indoor fish hall had the most fascinating range of fish I have ever encountered, which were worth a couple of sketches, or even a painting. Naturally we were able to taste some of the better known varieties during our visits to local restaurants and bars, or at the art school, were Margarida cooked many deliciousmeals for us.
Then it was time to venture across the estuary by water taxi(!) to the picturesque island of Armora. A profusion of flowers clinging to little whitewashed houses, boats, long beaches, and people came into view as soon as we landed. We had planned to have a dip, but found that we were much too excited about our paintings and the sumptuous lunch to strip off and swim.
We also took the opportunity to paint from attractive roof terraces, overlooking blossom-bedecked rooftops, with winding staircases, decorative balconies and glimpses of the sea beyond. The final day we spent painting just outside the art school, capturing some of the old houses decorated with patterned tiles, featuring ornate windows and doorways. This gave us plenty of time to start a last masterpiece or polish off unfinished work, ready for the little show we had under the vaulted ceilings of the studio on the last night. The work on show looked fantastic and there were happy smiles on everyone’s faces.
A big thanks to all of you who dared to come on a new course, venturing out into the unknown. Special thanks also to the Honourable David Clark, who invited me to come to his art school and who organised everything so splendidly, making it a memorable week.
All the best and a wonderful summer, wherever you are,
Beautiful Tuscany – exciting painting, May sunshine and pools warm enough to swim in! This year I travelled to Peralta and Cotto within the same fortnight, thus saving me a trip back home to London in-between. The plan worked beautifully and allowed me to stay on for a couple of days to indulge in more painting, lounging by the pool and visiting my Italian friends.
The week at Peralta started with my painting demonstration of an old clay pot surrounded by lush greenery, a good subject for beginners and advanced alike. Later on we painted the intimate corners around the old mountain village of Torchigliano, with a rather sumptuous meal at the local restaurant. Apart from capturing the many stunning views around Peralta itself, we also had the chance to paint in the town square in sculpture adorned Pietrasanta, where the renaissance artist Michelangelo was the first to recognise the beauty of the nearby marble.
Much less grand but nevertheless a joy to paint was the fountain in the square of the Medici town Fivizzano, during the second week in Cotto. The impressive castle Veruccula not far from Cotto makes for an excellent days painting, especially when a leisurely lunch in the small Pizzeria at the foot of the castle walls breaks up the hard day's work. At other times we were busy capturing the vistas towards the Apuan Alps and around Cotto, with its massive church peering down from almost every corner. As in the previous week at Peralta we also visited the historic town of Lucca, famous not only for its double sided town walls (great for a stroll & to gaze from) and amphitheatre, but also for its cathedrals, café and restaurant culture and last but not least, shopping.
Both painting weeks finished with special last dinners and enjoyable viewings of everybody's work. We all agreed that that this year the beginners made remarkable progress. A most satisfactory way to finish a creative and pleasurable time in Tuscany.
With many creative wishes for the summer,
Dear Painters and Friends,
After a late arrival in Sicily the night before, we woke up to a brilliant blue sky, the smell of wild flowers and a glorious day of painting at the Fattoria Mose. As usual on the first day of the painting week, the task of choosing one of the many subjects is tricky. Should it be the rather elegant olive vessel in the shade of the palm trees, could the old tractor in the courtyard be an interesting object, or might not the ancient, gnarled olive trees surrounded by a sea of yellow blossoms be better? A leisurely walk around the gardens and old buildings followed by a painting demonstration soon sorted out any doubts and in the end everybody found a suitable corner and happily set to work.
The next day we ventured further to the coast near Agrigento, where we painted the rocky shoreline accompanied by the sound of lapping waves and a blue sky above. Some of us indulged in a delicious lunch at restaurants conveniently close by in favour of a packed lunch. Of course a proper Italian lunch means a bit more time away from your painting, but then again it's a holiday and the paintings did get finished after all.
Our second day at the Fattoria had the additional excitement of a Television crew filming our host Chiara Agnello and her sister Simonetta cooking special Sicilian meals on the terrace. This gave us an extra subject to paint and it was also interesting to watch the crew at work. Fortunately we were not expected to paint in front of the camera, which might have had a somewhat adverse effect on our paintings.
As the week neared its end, we spent a wonderful day painting at the ancient Greek temples, set on a hill between Agrigento and the sea, with gorgeous views peeping through the temple columns. We had seen the temples in the distance the previous day on our visit to the town of Agrigento, where you can get a glance of their massive structures through gaps of tall buildings. I always enjoy spending a day in the old part of town with its ornate baroque churches, narrow streets and pleasant squares.
We finished the course with a another day painting in the grounds of the Fattoria, cherishing every last moment. For the big finale we had a wonderful show of everybody's work, made the more pleasurable by a glass of wine or two. After a delicious dinner we all relaxed and spent the rest of the evening talking shop, reminiscing about the weeks achievements and making plans for future forays into the world of painting.
With best wishes for the summer painting season,
Dear Painters and Friends,
Every year the first painting course of the season, eagerly awaited by the time March comes, is an absolute joy. Unleashing the watercolours under the Moroccan sun, surrounded by rose coloured sand dunes of the 'Erg Chebbi' with camels fluttering their long eyelashes seductively, cannot fail to get you in the mood. And when halfway through the morning's work glasses of mint tea arrive, the day is perfect.
After driving from Ouarzazate through Moroccan villages and towns, parallel to the distant spine of the still snowcapped Atlas Mountains, we spent a leisurely day at 'home' at the Nomad Palace, painting various features of the spacious courtyard. The next day brought an exciting sandstorm with somewhat cooler temperatures than usual – an opportunity to do some portrait painting in the large salon. We had no shortage of models, since the young men working at the Nomad Palace are always happy to pose for us in their wonderful local robes and head gear.
In the evenings and at lunch times, we greatly enjoyed the meals prepared by the two new cooks, whose cuisine was absolutely delicious. One evening we were invited to have a meal in the family home of our host Ali Mouni, where we experienced true Moroccan hospitality and were introduced to his lovely wife Fatima and the rest of the extended family.
Our time at the Nomad Palace also included a day's painting in the nearby Palmeries, where the large date palms gave natural shade, as well as making attractive foreground subjects for our watercolours. Later on in the week,we all enjoyed the day excursion to the Kasbah Museum near the ancient caravan town of Rissani with lunch in Erfoud and a visit to the fascinating Fossil museum. Some of the fossils on display (and even available to purchase - I bought a small Trilobite) are millions of years old and quite awe inspiring.
Soon it was time to spend a day capturing camels on paper, initially not an easy task, but great fun. As a reward afterwards, those of us keen and able, rode the camels onto the high sand dunes to watch the sunset in late afternoon. This crowning moment was only slightly diminished by clouds appearing, which actually turned to rain on the camel ride back, a unique experience in my 11 years of visiting Morocco!
The weather turned sunny again when we left the Nomad Palace for the spectacular Dades Gorge to paint the view from the terrace of the lovely Auberge Panorama. The spring green valley below leads the eyes towards spectacularly colourful mountains, old Kasbahs and adobe built villages. Nobody wanted to leave the following day and it was hard to part from Ali and everybody who looked after us so well.
I hope you can join us next year and share the Moroccan experience. Same time*, same place…
All the best,
*almost the same: 7th-17th March 2015
Dear painters and friends,
A very happy new year to all of you with plenty of time to enjoy painting!
The new year starts again with good news: a calendar full of exciting painting trips and a watercolour Exhibition at GALLERY 402 in London's artist quarter, Hoxton. You are invited to the opening on 21st January 2014, 6–9pm at Arch 402, Cremer Street, LONDON E2 8HD. The evening will be for the benefit of the Terrence Higgins Trust with drinks, canapés and music: “Chansons with Francois Testory”. The show runs from: 20th–23rd January 2014. Opening hours: 11am–6pm.
The past year has been colourful and filled with events. My solo show at the Vibe Gallery in January 2013 in London went extremely well. However, it was lovely to return to the paintbrush after all the hard work organizing the show, and to meet our host and friend Ali Mouni at the edge of the desert. On arrival in Morocco, we could see the snow capped peaks of the Atlas mountains in the far distance as we travelled towards the Nomad Palace, heading for blue skies and sunshine. Imagine our surprise when we opened our windows on the first painting day to see camels standing in the mysterious haze of a desert sandstorm. We decided to head for the Salon and spent an enjoyable day painting young Berbers in their colourful robes.
In April this year, there were two painting courses in Sicily at the beautiful Fattoria Mose. And well, the weather was just brilliant in the first week with non-stop sunshine. We enjoyed painting at all my favourite locations at the Fattoria, the Valley of the Temples, the coast at San Leone and spent a leisurely day visiting the town of Agrigento. In the second week we discovered a new location for painting the sea, with more cafes close by for delicious lunches, or a refreshing Sicilian ice cream.
May in Tuscany at Peralta is always a joy, especially when the sky is blue and the sun shines on the terraces surrounded by lemon trees, and Jasmine blossoms with a glistening turquoise sea in the distance. The small, deeply set window in an old stone wall featured a wonderful clay pot on its sill - just the thing to try out those Burnt Sienna tones. We made an excursion to the mountain village of Torcigliano and visited the famous town of Pietrasanta, well-known for its marble quarry founded by Michelangelo. My next port of call was Cotto in Tuscany, the picturesque village situated in the hills, with the ancient castle of Verrucula nearby, and only a train ride away from the historic town of Lucca. We painted the many fabulous views around Cotto and later ventured out to the square of the medieval market town of Fivvizano, complete with fountain, magnificent church towers and restaurants.
What a surprise when I arrived later at Brymnaport to find the Scottish Highlands engulfed in a heat wave! Painting the dramatic mountains across the water from Brynaport under the bright sunlight was sheer heaven. During our stay we explored the way 'Atmosphere' can be captured in painting. Watercolour lends itself particularly well to expressing in light effects and their reflections on water. After a few attempts everybody mastered those exciting washes and watched the colours explode.
After my delightful trip on the sleeper train from the Scottish Highlands I grabbed another train to Devon for the first course at Coombe Farm Studios. The gentle, green hills and estuary around Dartmouth are perfect for a stroll with pencil and sketchbook. We were spoilt for choice when it came to painting around Coombe Farm: sun filled terraces with colourful flower pots, a little archway leading to the stream, sunflowers behind the garden gate and the old dove cote. In August, a new location, Tuckenhay village with gorgeous riverside views and tasty ice creams, proved very popular with everybody and not just because of the lunch time champagne.
It was time to return to London. My previous article 'Colour Choices' in landscape (Sept. issue 2013) had been well received and I had promised ‘Leisure Painter’ magazine to write another article about portrait painting, demonstrating a simple 3 colour approach. The article will be published in the ‘Leisure Painter’ on 3rd January, on sale at art shops or online at: www.painters-online.co.uk (February 2014 issue). I hope you will enjoy it.
One last journey led me to the Portuguese port of Olhão in the Algarve. David Clark, our charming host for the course, showed me all the best spots in town and worked out an exciting schedule for the painting week next June.
It would be wonderful to share some of the painting adventures planned for 2014 with you,